I did this transcription several months ago as an assignment for my lessons with Garry Dial. It was the most difficult solo I’d learned to that point and the experience was both rewarding and empowering. It felt really good to know that I was capable of doing that.
Anyway, a couple of notes on the solo. Joe Henderson was a master of rhythm. This rhythmic sophistication is, to me, one of the most intriguing aspects of his playing, but it also presents the greatest challenge when writing out the transcription. In some cases, I just tried to make all of the notes fit within the space in which they were played. I’m sure there are a few different ways to notate some of the more complex phrases.
Notes for a couple of specific spots:
In measure 14, there’s an altissimo D in that measure. To me, it sounds like Joe Hen played the F# (with the front F/fork key) on beat 3 and it cracked, resulting in the altissimo D.
In measure 79 (4th chorus), the “and” of 1 is a harmonic/false fingering. You could finger F# or G while holding down the palm D key. It could be F# or G depending on the intonation of your horn. F# works better for me.
Measure 110 (5th chorus) on beat 4, the A is another harmonic/false fingering. You would finger D while playing that note. If you’re unable to do it, experiment with the voicing (tongue placement). The tongue should be in a slightly higher position. If that doesn’t work, play the fingering for D without the G key (LH3).
At the beginning of the 6th chorus (measure 121), the notes alternate between palm key D and palm D with the fingering for G added.
Hope you enjoy the transcription.
Here’s a recording of me playing along with the solo (warts and all):